‘Not Alone’ departs for Rome!


Our touring exhibition ‘Not Alone’ has left Bologna, and is on its way to Rome!

Carefully packed up by our first curator Chiara Matteucci, the artworks will now travel 400km across Italy to the home of Manuela Pacella in Rome. Manuela is an independent curator and writer, and she has visited and worked in Northern Ireland many times in the last decade, including guest curating exhibitions in the Golden Thread and at the MAC, Belfast.

We can’t wait to see her interpretation of the exhibition! (And fingers crossed everything arrives in one piece!).

Make sure to follow us on Instagram to see the arrival, unpacking and installation of ‘Not Alone’ in its second show in Italy.


‘Not Alone’ touring exhibition now in Bologna


The Golden Thread Gallery’s unique touring exhibition ‘Not Alone’ arrived in Bologna on 30th August. Curator Chiara Matteucci unpacked and installed the artworks in her home, and has been sharing her iteration of the exhibition online for the past week on social media. She’s also shared her own perspective on the project, and where she believes it fits in the field of exhibition-making. Chiara writes:

“The title ‘Not Alone” comes from a Police song, Message in a Bottle. During the quarantine, how many of us experienced a sense of alienation without being lost on a remote island? That nostalgia for social life, human contact, and the possibility of seeing live artworks, is the emotion that moves the project at its beginning; in parallel with the necessity to create something different, able to re-enact old mechanisms and to get people used to the wait, to their right of taking their time to do everything, even experience an exhibition.”


Sign of Distress, Version 1. Black Lives Matter March. Washington DC. June 4th 2020 & Sign of Distress, Version 2. Black Lives Matter March. Washington DC. June 4th 2020 2020 Joy Gerrard, with To think about things together that appear to be separate 2020 John Rainey

“Almost all of the artists involved decided to create something concrete, more traditional (if we can still use this term), albeit all of them were free to create whatever they want, except for one condition: the artwork had to be able to travel in a bottle. The fact that the artists decided to use traditional media, from sculptures to paintings, to printed photographs, make me think… Is this a coincidence? Or is it a stance, a necessity to take a step back from the digital world? If it’s the latter, is it correct to take that distance?”


Sutured 2020 Sharon Kelly

“The migration of the Art World online has separated intellectuals in two currents: those who are pro digital and those against, who consider the Internet as a short-term solution.  But during this unusual period, we’ve all been grateful to the web and its potentialities. All the art members, from institutions to artists and curators, have tried to exploit as much as they can the digital world to keep themself (and us) alive. Instagram takeovers, podcasts, virtual tours, but also online performances were all been ways to share and make art everywhere. This possibility of being connected with people who comes from the other part of the world, that they might never afford to come overseas to see an exhibition, it is definitely something that we can’t neglect, and it is, in my opinion, the best quality of the Web.”


Disappear 2020 Megan Doherty [on wall] with Through A Pane H91X6XN – BT180AJ 3, 7, 8, 9, 12, 14, 19, 20 2020 Ailbhe Greaney [on table, left] and Glass Tower 2020 Graham Gingles

“This democratic aspect of the world wide web, connecting all the public realm with the cultural system – it belongs to the home, too.”

“Before considering it as a cage, the house has been our refuge and sometimes an art space. To demonstrate this, the Art History is full of subversive examples of exhibitions which took place outside the museums and the famous white cube. Digging more, there is a long thread of art exhibitions in houses that starts from 1986 with the famous Chambres d’Amis at Gand, it passed through The Kitchen curated by Olbrist and arrives at nowadays.”


The Second Shift: On Crumbs of Shadow 2020 Clare Gallagher

“If the art system has tried to make Art eternal, neutral, and exclusive, the house gave it back to where it belongs: to the real world. In the house indeed the artworks start to live again, the fruition of them changes and merges with the emotional sphere of the house itself, full of the memories of its owner. Inside the house there are no more hierarchies, it is accessible to everyone; the cultural elite is replaced with the mass. Exactly as the digital realm has done from its beginning, and more and more with the arrival of social media, using its devices to make Art available in a click.”


Kairos 2020 Chloe Austin [on monitor] with
The Second Shift: On Crumbs of Shadow 2020 Clare Gallagher
She is 2020 Chloe Austin
Glass Tower 2020 Graham Gingles

GTG presents ‘Not Alone’, a unique touring exhibition for our strange new world…


Inspired by a fragment of an old song, Golden Thread Gallery director Peter Richards had an idea for an entirely new kind of exhibition, one that could overcome the distances forced between artists and curators worldwide by the Covid-19 pandemic. Not Alone is an exhibition in a bottle, containing eight new works from some of the leading artists on this island: Graham Gingles, Joy Gerrard, Sharon Kelly, John Rainey, Chloe Austin, Ailbhe Greaney, Megan Doherty and Clare Gallagher. Each has created a piece of art tiny or portable enough to fit inside a glass bottle, yet powerful enough to convey vast philosophies, stories and ideas, and endless possibilities of interpretation.

Packed up, the exhibition will now be sent out into our strange new world to international curators who will each mount the exhibition/s in their own homes. Installing and arranging the works in their space as they see fit, they will each create a new configuration, new context and new connections for the exhibition.

They will then pack Not Alone back into its bottle, and send it on to the next destination. At this moment in time it is on its way to Bologna, Italy, where the first curator, Chiara Matteucci, is waiting.

And after that, it will go to Rome, and then Amsterdam, and then… to destinations as yet unknown. It may never return, but we will follow its journey around Europe and share each iteration of the exhibition online.

Read the full story of the inspiration for this unique exhibition for our times, including more information on the artists and the artworks, in the presentation below.


Media enquiries:

Mary Stevens, Exhibitions Officer, Golden Thread Gallery info@gtgallery.co.uk / 028 90 330920 / www.goldenthreadgallery.co.uk

GTG Director and curator Peter Richards is available for interview, as are the artists involved.

Notes to editors:
Golden Thread Gallery (GTG) has played an important role in the provision of contemporary visual art in Belfast and Northern Ireland since it was established in 2001. Our mission is to present quality and innovative artistic programmes that capture the diversity of contemporary arts practice, and which engage, educate, challenge and inspire. We strive to build and engage the widest possible audience for contemporary arts, extending the reach of the arts, nurturing a deep understanding and enjoyment of current visual arts practice within the broader community, while developing, supporting and promoting the work of contemporary Northern Irish artists and visual arts practice. The GTG is a recognised charity, and our core funders are the Arts Council of Northern Ireland and Belfast City Council.

GTG Artists Present: Ursula Burke


The Golden Thread is delighted to continue our series of new short films by artists reflecting on their work with a piece by Irish artist Ursula Burke.

Ursula’s film ‘From Canova to De Chirico’ looks at the integration of the classical and the surreal in her art.



About the Artist

Ursula Burke is an Irish artist who works in a variety of media including Porcelain Sculpture, Embroidery Sculpture and Drawing.

She currently has a solo exhibition at the Ulster Museum titled A False Dawn. She recently undertook an artist residency at Centre Culturel Irlandais, Paris and a solo exhibition also titled A False Dawn.

She is winner of the Golden Fleece Award and the Visual Artists Ireland Suki Tea Award – March 2018. She undertook an artist residency and group exhibition titled So It Is with the Mattress Factory Museum, Pittsburgh, Jan – April 2017 and was awarded the Arts Council of Northern Ireland, British School at Rome Fellowship in 2014. She is Joint Prize Winner of the Claremorris Open, Ireland 2015. Solo Exhibitions include The Precariat, The RHA Gallery, Dublin 2018; The Precariat, The Dock Arts Centre, Leitrim; Solo representation at Supermarket Art Fair Stockholm by Ormston House Limerick, March 2017; ‘Vestiges’ at Ormston House, Limerick September 2016 & ‘Vestige’ at the Oonagh Young Gallery, Dublin, during May 2016.

She undertook a major solo exhibition titled ‘Hope for a Better Past’ with the MAC Belfast, 2013 and worked with the National Portrait Gallery London on ’National Memories local Stories’ project during the same year. She is an Associate Academician of the Royal Ulster Academy, Belfast, Northern Ireland.


GTG Artists Present is funded by Community Foundation NI