Manuela documented her version of ‘Not Alone’ on Instagram, and shared her thoughts on having pieces of Belfast with her again. This is her essay about Sharon Kelly‘s ‘Sutured‘ 2020 piece.
“Among the last activities carried out before the lockdown was a studio visit to the British School at Rome at the newly arrived Sharon Kelly, from Belfast, whose light but rather tough sculpture in scrim and red thread I just set up. The anatomical parts remind me of the ones she was drawing at the studio in Rome. […] she spoke of portions of gestures of caring, of caring for each other and I saw so much disease. ‘Sutured’ is now on a small passing way of my house; portions of fabric are connected to each other to form parts of a body through a fiery red thread, at times the same features of arteries; I still see, in that red thread that joins a real suture, a desire to put back together the shards of a vase broken too many years ago. […] My home is now your home. But my home has become sacred since I missed it more than human contact, since I risked seeing it either a few hundred meters away from me, since I know my parents will never see it again, since I decided to take care of it as if it were full of sutures still red, like those of Sharon’s thread, my first artist met after months of forced separation from my previous life and last contact that preceded a global isolation.”
At the end of this week, Manuela will pack the exhibition up and send it on to the next curator – but it’s not going so far this time, just across the city to curator Micol di Veroli!
Golden Thread Gallery is delighted to welcome Katharine Paisley to the gallery staff team, as our new Gallery Assistant. It was a long wait for us all, as lockdown delayed our recruitment process!
In this role Katharine will provide assistance and support across the Gallery’s programme and range of activities, from liaising with artists, institutions and funders to general administration, exhibition assistance and introducing visitors to our new Covid-19 gallery guidelines when they arrive.
Katharine is a visual artist whose work is currently focused on creating representational oil paintings and experimental videos which explore the evidence behind the Anthropocene. She is a resident emerging artist at Flax Art Studios, and completed a BA Fine Art degree at the University of Central Lancashire.
Golden Thread Gallery is supported by Arts Council NI and Belfast City Council.
While we’re closed, we wanted to take a look back at some of the highlights of our exhibitions over the past year, and share the activity sheets for you to download and print at home. Please peruse some incredible art, then send us pictures of your own creations!
Last August the Golden Thread Gallery brought an incredible exhibition of contemporary Japanese art to Belfast. ‘Noise of Silence: Japanese Art Now’ was co-curated by GTG Director Peter Richards, the Director of Art Center Ongoing in Tokyo Nozomu Ogawa and Belfast based Japanese artist, Shiro Masuyama. The exhibition included work by 11 different artists, with a broad spectrum of styles and approaches to contemporary art making.
Noise of Silence: Japanese Art Now included spectacular live art events. Artist Takahiro Suzuki continued his global “生きろ (IKIRO) ” (meaning “Be Alive”) project in a durational performance in our Castlecourt pop-up space.
You can watch a video of IKIRO on our Facebook page here or this one taken by the Power family on a visit to Castlecourt here!
In Golden Thread Gallery One artist Yusuke Asai created a 17 metre long mud mural on-site, painting right on the gallery walls. He used soil and clay that he gathered here in Northern Ireland to paint his fantastical creatures and images of nature.
Shiro Masuyama’s installation work ‘Tokyo Landscape 2020‘ included an intricate motorised light ascending and descending over water to illuminate rows of plaster figures. Take a look at this video of the installation by Shiro.
Kyunchome’s video documentary ‘Making the Perfect Donut‘ begins with the idea of combining an American type donut with a sata andagi, an Okinawan donut, to create the ultimate deep-fried treat. But the piece explores the complicated history of American and Japanese relations, and the protests at the continuing presence of American military bases in Japan.
Atsushi’s piece was actually filmed in Belfast in 2014, during his residency with Flax Studios. In his video he walks around the city with his friends, dressed in a Japanese giant costume, responding to the mythology of Irish giant Finn McCool.
Artist Fuyuka Shindo has also spent time in Belfast, having studied at Belfast School of Art and been artist-in-residence in Flax Studios. Conducting research in museums and archives, she looks at objects such as traditional costumes and old photographs.
Her finished pieces incorporate elements from both past and present, through imagery, materials used or techniques employed.
Midori Mitamura has also worked in Belfast at Flax, and is now based in Tokyo. She makes interactive installations using ready-mades and projected images.
Her installation ‘Green on the Mountain’ was inspired by a family photograph that she found in Europe.
With Noise of Silence: Japanese Art Now, we offered our visitors in Belfast the opportunity to experience aspects of Japanese life through the eyes of some of its most talented contemporary artists. Their work explored Japan’s distinct cultural issues in addition to drawing out the artistic parallels that unite creative practices across international boundaries, allowing the exhibition and visitors to reflect on the similarities that exist within our own cultures.
Read a review of the exhibition by art writer Slavka Sverakova here.
Please download and print our activity sheets to create your own artworks inspired by the exhibition, and send us pictures!
Golden Thread Gallery's unique touring exhibition, Not Alone, created for our strange, new, transformed world continues on its journey in 2021. With isolation measures, travel restrictions and quarantine rules affecting art exhibitions and collaborations in every way, GTG Director Peter Richards...