Today’s online workshop by artist and photographer Simon Mills shows you how to make your own brilliant salt dough modelling clay using basic household ingredients… And it features a very special and adorable guest artist! With a little bit of help, this is an activity for all ages to enjoy!
You can use salt dough to make ornaments, jewellery, picture-frames, the initials of your name, model cars or animals – the possibilities are endless. Once it’s baked, it can last for years if you look after it carefully.
Here’s the worksheet with instructions that you can download and print.
We are very excited to bring you this unique film by acclaimed performance artist Sinéad O’Donnell, in which she looks back at three iconic performance pieces from across her career, exploring themes of isolation: ‘Prerequisite‘ (1999), ‘Headspace: White Cube‘ (2014) which was first performed in Northern Ireland in the GTG in 2015, and ‘Red Clay Twins‘ (2018).
About the Artist
Sinéad O’Donnell has worked in performance, installation, site and time-based art for the past 20 years. Originally from Dublin and based in Belfast, Sinéad studied sculpture at the University of Ulster, textiles in Dublin and visual performance and time-based practices at Dartington College of Arts, graduating with distinction in 2003. Her work has been presented at Art of the Lived Experiment, Bluecoat, Liverpool, UK, Voices Travel, Kaohsiung Museum of Fine Arts, Taiwan (2014), Asiatopia, Bangkok Arts & Cultural Centre, Thailand (2013), Museum of Contemporary Art, Zagreb, Croatia, (2013), Golden Thread Gallery, Belfast, Northern Ireland, (2012), Southbank Centre, London (2012).
Sinéad was the first performance artist to be awarded a Major Individual Artist award by the Arts Council of Northern Ireland in 2017/18.
Her work explores identity, borders and barriers through encounters with territory and the territorial. She sets up actions or situations that demonstrate complexities, contradictions or commonality between medium and discipline, timing and spontaneity, intuition and methodology, artist and audience. She uses photography, video, text and collage to record her performances which often reveals an ongoing interest in the co-existence of other women and systems of kinship and identity.
In response to the current situation the Golden Thread Gallery is engaging with artists and audiences in a different way. Thanks to funding from the Community Foundation NI, over the next few months we’ll be inviting Northern Ireland based artists to create a new digital exhibition of some of their past work with the GTG online, on our website and social media channels.
We’re delighted that our first artist is Victoria J. Dean, a photographic artist based in Belfast. Works from her series ‘The Illusion of Purpose’ were shown in our Project Space in 2018 as part of our ‘There and not there’ exhibition, alongside works by Sharon Murphy.
For GTG Artists Present Victoria has created a new digital presentation of the works shown in the gallery, with additional works from the series and a fascinating personal reflection on the project. Watch it here, or for a subtitled version please watch on our YouTube channel.
Her photographs are notable for their lack of people, yet they are not simple landscapes or seascapes, the structures are key. It is hard to tell exactly what the structures are; indeed, some of them appear so unlikely given their locale that they appear more like an illusion than fact. Their unlikeliness presents more questions than answers. Are the structures superimposed into the photograph? What is their purpose? Where are they? Dean deliberately does not give us the answers to any of those questions. Her fascination with how humans interpret what they see, how they organise, what they build and how it all contributes to society remains unanswered.
About the Artist
Victoria J. Dean (b. Belfast, 1980) is a
photographic artist based in Northern Ireland. She has exhibited and been
published internationally including in 2018: Off_festival Bratislava: ‘The
Anthropocene’, Slovakia; ‘LensCulture Emerging Talent Awards’, Klompching
Gallery, New York; ‘There and not there’, the Golden Thread Gallery, Belfast;
‘188th RHA Annual Exhibition’, Dublin; ‘137th RUA Annual Exhibition’, Ulster
Museum, Belfast, and previously: ‘On the Border between Time and Loss’, Galway
Arts Centre, 2016; ‘Emerging’ (Slideshow Night), Annenberg Space for
Photography, Los Angeles, and ‘Royal Academy Summer Exhibition’, London, 2015;
‘Circulation(s) 2014: Festival de la Jeune Photographie Européenne’, Paris,
2014; ‘Northern Ireland: 30 Years of Photography’, Belfast Exposed & The MAC,
Belfast, 2013, and Magenta Foundation’s ‘Flash Forward’, Boston, London and
Toronto, 2013-14; and ‘PDN’s 30 Emerging Photographers’, New York, 2007.
Represented by the Golden Thread Gallery (Belfast), Dean featured in ‘SCOPE’
New York and ‘Elective Perspective’, Galeria Arsenał in Białystok, Poland in
Dean received the Royal Ulster Academy Award
for Outstanding Students on obtaining an MFA Photography with distinction from
Belfast School of Art at Ulster University, and was selected by Olivia Arthur
(Magnum) and Anna Sparham (Curator, Museum of London) in Source Magazine’s
‘Graduate Photography Online 2017 Selections’. A winner in the ‘LensCulture
Emerging Talent Awards 2017’, Dean was also a finalist in the Klompching
Gallery’s ‘FRESH 2017’. ‘The Illusion of Purpose’ book was published by Another
Place Press in 2018.
Dean’s work is part of the David Kronn Collection, the Arts Council of Northern Ireland Collection, the Office of Public Works State Art Collection (Ireland), and a number of private collections in the UK and Ireland.
Next, an activity sheet based on our exhibition ‘The Telepaths’ from last year, by renowned Northern Irish artist Susan MacWilliam. In the exhibition Susan used archive photographs of women in the early part of the 20th Century as part of her exploration of ideas and imagery related to historical investigations of telepathy and extra-sensory perception.
Finally an art activity that you need to do to music! Cheesy, cheerful pop is our favourite! This activity sheet was created for Oona Doherty‘s solo exhibition, ‘Death of a Hunter‘, which was the first exhibition to combine dance and narrative story-telling into a visual arts exhibition which blurred the distinctions between art forms.
Our scheduled Dissolving Histories: An Unreliable Presence panel discussion couldn’t take place in the gallery due to the current situation surrounding the coronavirus pandemic. Luckily due to the wonders of technology, we were able to record the talk and bring it to you now, while still practicing all the social distancing protocols!
We were joined by co-curators Mary Cremin and Peter Richards and artists Liliane Puthod, Stuart Calvin and Michael Hanna to discuss the process of building the Dissolving Histories exhibition. It’s fascinating to hear the artists discuss the changing context of this exhibition, given our current global situation. The discussion provides a wonderful insight into the way this exhibition came about and also the thoughts behind the origins of the Dissolving Histories series (of which this is the third annual instalment).
While the GTG is temporarily closed to the public our family workshops are postponed, but we’re sharing lots of art activities online. Download, print, colour in and please share completed works of art with us!
Today we're launching our new series of online exhibitions GTG Artists Present thanks to funding from Community Foundation NI. Over the next months the GTG will be inviting Northern Ireland based artists to create a new digital exhibition of some...